Published: 2025-11-17

The Life and Iconography of Gratian: a ‘mise au point’ part 2.

Giovanna Murano
Saeculum Christianum. Historical Writings
Section: Rozprawy i Artykuły
https://doi.org/10.21697/sc.2025.32.2.1

Abstract

In the first part of this study, I examined the limited biographical data available on Gratian (…–1145), the author of the canon law collection known as the Concordia discordantium canonum or Decretum. As we have seen, various sources agree that he was a monk, while some also state that he became Bishop of Chiusi in Tuscany at the end of his life. In this second part, I explore whether these biographical details found expression in iconography, which aspects of his life were emphasized in shaping his image, and the differing choices made by artists in Italy and north of the Alps - particularly in France – in their depictions of the Decretum’s author.

Keywords:

Gratian, iconography, canon law, manuscripts, Middle Ages

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Citation rules

Murano, G. (2025). The Life and Iconography of Gratian: a ‘mise au point’ part 2. Saeculum Christianum. Historical Writings, 32(2), 5–19. https://doi.org/10.21697/sc.2025.32.2.1

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