Happy End, czyli zaciemnianie Hanekego i rozjaśnianie Europy

Konrad Wojnowski

doi:10.21697/zk.2019.6.24

Published: 2019-12-31

No. 6 (2019)

Happy End. Darkening Up Haneke and Brightening Up Europe

Konrad Wojnowski

Załącznik Kulturoznawczy

Section: Artykuły

https://doi.org/10.21697/zk.2019.6.24

Abstract

The subject of this essay is the place and meaning of Michael Haneke’s latest film, Happy End (2017), in his filmography. The author, who analyses the comic strategies in the film, suggests that they express a change in the director’s attitude towards today’s Western European problems, which may be related to the point of view of the representatives of the youngest generation in the middle class – people who use different media and language than their parents.

Keywords:

Michael Haneke, critical cinema, cultural criticism, Happy End

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Wojnowski, K. (2019). Happy End. Darkening Up Haneke and Brightening Up Europe. Załącznik Kulturoznawczy, (6), 473–480. https://doi.org/10.21697/zk.2019.6.24

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