https://doi.org/10.21697/zk.2019.6.23
The aim of the article is to confirm the assumption that perspective is one of the tools that build a photographic act of communication. It has been observed that the perspective allows to obtain the illusion of the third dimension on the two-dimensional surface of the photograph but also creates multiple systems of meaning and even becomes a symbolic form. The focus was on the works of Jeanloupe Sieff, a photographer who used a perspective tool in an innovative way that allowed him to create both realistic, ‘superficial’ presentations and surrealistic, ‘deep’ meaning contexts.
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Questo lavoro è fornito con la licenza Creative Commons Attribuzione - Non commerciale - Non opere derivate 4.0 Internazionale.
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