Agur Colin, Frisch Nicholas, Digital Disobedienceandthe Limitsof Persuasion: Social Media Activismin Hong Kong’s 2014 Umbrella Movement, „Social Media + Society” January–March 2019, s. 1–12.
DOI: https://doi.org/10.1177/2056305119827002
Art and Social Change: Contemporary Art in Asia and the Pacific, ed. Caroline Turner, Perth 2005.
Art and Visibility in Migratory Culture: Conflict, Resistance, and Agency, ed. Mieke Bal, Miguel Ā. Hernández- Navarro, Amsterdam–New York 2011.
Art, Theory and Practice in the Anthropocene, ed. Julie Reiss, Wilmington 2019.
Bal Mieke, Wędrujące pojęcia w naukach humanistycznych, tłum. Marta Bucholc, Warszawa 2012.
Barry Andrew, Born Georgina, Weszkalnys Gisa, LogicsofInterdisciplinarity, „Economy and Society”, vol. 37, 2008, nr 1.
DOI: https://doi.org/10.1080/03085140701760841
Bond Mindy, Raphie Frank, Ricardo Dominguez, Artist and Electronic Civil Disobedience Pioneer, „Gothamist”, 7 III 2008, https://gothamist.com/art-s-entertainment/ricardo-dominguez-artist-and-electronic-civil-disobe-dience-pioneer [dostęp 17 XII 2022].
Braidotti Rosi, Po człowieku, tłum. Joanna Bednarek, Agnieszka Kowalczyk, Warszawa 2014.
Campbell Tori, The Art of a Movement: Protest Art and the Artist as Activist, „Artland Magazine”, https://magazine.artland.com/the-art-of-a-move-ment-protest-art/ [dostęp 17 XII 2022].
Corbett Sarah, How to be a Craftivist: The art of gentle protest, London 2017.
Critical Perspectives on Social Mediaand Protest: Between Control and Emancipation, ed. Lina Dencik, Oliver Leistert, London–New York 2015.
Culture Jamming: Activism and the Art of Cultural Resistance, ed. Marilyn DeLaure, Moritz Fink, New York 2017.
Cyberprotest: New media, citizens and social movements, ed. Wim van de Donk, Brian D. Loader, Paul G. Nixon, London–New York 2004.
Franklin Marianne I., Digital Dilemmas: Power, Resistance, and the Internet, Oxford 2013.
DOI: https://doi.org/10.1093/acprof:osobl/9780199982691.001.0001
Haraway Donna J., Staying with the Trouble. Making Kin in the Chthulucene, Durham–London 2016.
DOI: https://doi.org/10.2307/j.ctv11cw25q
Kauffman L.A., How to Read a Protest. The Art of Organizing and Resistance, Oakland 2018.
DOI: https://doi.org/10.1525/9780520972209
Karimi Pamela, The Many Shades of Iran’s Protest Art, „Hiperallergic”, 11 X 2022, https://hyperallergic.com/768539/the-many-shades-of-iran-protest-art/ [dostęp 17 XII 2022].
Kluszczyński Ryszard W., Transdyscyplinarność: sztuka – nauka – humanistyka – polityka, w: Bez granic: przetworzone ciało – poszerzony mózg – rozproszona sprawczość, red. tenże, Gdańsk–Łódź 2021, s. 302–327.
Kluszczyński Ryszard W., Dzieło sztuki jako kolekcja: przemoc, śmierć i utrata w twórczości Luz Maríi Sánchez, „Powidoki” 2021, nr 5, s. 8–23.
Kluszczyński Ryszard W., New Media Art, https://www.academia.edu/72942169/New_Media_Art [dostęp 18 II 2023].
Kosiewski Piotr, Sztuka sprzeciwu, „Tygodnik Powszechny” 2019, nr 41.
Królak Marta, Sztuka sprzeciwu, [28 XII 2019], https://czaskultury.pl/czytanki/sztuka-sprzeciwu/ [dostęp 14 VIII 2022].
Latour Bruno, Facing Gaia: Eight Lectures on the New Climatic Regime, Cambridge 2017.
Lievrouw Leah A., Media alternatywne i zaangażowanie społeczne, tłum. Magdalena Klimowicz, Warszawa 2012.
McCaughan Edward J., Art and Social Movements: Cultural Politics in Mexico and Aztlán, Durham–London 2012.
DOI: https://doi.org/10.1515/9780822395027
McKee Yates, Strike Art: Contemporary Art and the Post-Occupy Condition, London–New York 2016.
MacFarlane Rachel, A Brief History of Protest Art, „Format”, 8 III 2017, https://www.format.com/magazine/features/art/brief-history-protest-art [dostęp 19 XII 2022].
Maniak Katarzyna, Sztuka nie ropa. Artystyczny aktywizm kolektywu Liberate Tate,„Przegląd Kulturoznawczy” 2019, nr 3 (41), s. 358–372.
DOI: https://doi.org/10.4467/20843860PK.19.020.11603
Marchart Oliver, Conflictual Aesthetics: Artistic Activism and the Public Sphere, Berlin 2019.
Margolis Michael, David Resnick, Politics as Usual: The Cyberspace Revolution, Thousand Oaks–London–New Delhi 2000.
DOI: https://doi.org/10.4135/9781452233475
Martinique Elena, A History of Protest Art Through Examples – From Ai Weiwei to Banksy, „Widewalls”, 18 V 2016, https://www.widewalls.ch/magazine/protest-art [dostęp 20 XII 2022].
Mesch Claudia, Art and Politics: A Small History of Art for Social Change Since 1945, London–New York 2013.
DOI: https://doi.org/10.5040/9780755603947
Morton Timothy, Hyperobjects: Philosophy and Ecology after the End of the World, Minneapolis 2013.
Morton Timothy, The Ecological Thought, Cambridge 2010.
DOI: https://doi.org/10.4159/9780674056732
Murphy Robbin, Artists and Legal Ambiguity on the Internet, http://www.cityarts.com/paulc/SVA/legalambiguity.html [dostęp 21 XII 2022].
Nadir Leila, Poetry. Immigration and the FBI: The Transborder Immigrant Tool „Hyperallergic”, 23 VII 2012, https://hyperallergic.com/54678/poetry-immigration-and-the-fbi-the-transborder-immigrant-tool/ [dostęp 21 XII 2022].
Raessens Joost, Virtually Present, Physically Invisible: Alejandro G. Iñárritu’s Mixed Reality Installation Carne y Arena, „Television & New Media”, vol. 20, 2019, nr 6, s. 634-648.
DOI: https://doi.org/10.1177/1527476419857696
Raley Rita, Tactical Media, Minneapolis–London 2009.
Reed T.V., The Art of Protest: Culture and Activism from the Civil Rights Movement to the Present, Minneapolis–London 2019.
DOI: https://doi.org/10.5749/j.ctvb1hrcf
Reestorff Møhring, Culture War: Affective Cultural Politics, Tepid Nationalism and Art Activism, Bristol–Chicago 2017.
DOI: https://doi.org/10.2307/j.ctv36xvzdn
Samuel Alexandra, Hacktivism and the future of political participation [A thesis presented to the Department of Government in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Political Science, Harvard University Cambridge, Massachusetts], Cambridge 2004.
Sánchez Cardona, Luz María, Intermittent Space: Sound, Violence, Ambiance and Affective Politics of Fear in Contemporary Mexico, „Unlikely. Journal for Creative Arts” 2020, https://unlikely.net.au/issue-06/in-termittent-space [dostęp 10 I 2023].
Street Art of Resistance, ed. Sarah H. Awad, Brady Wagoner, London 2017.
Szcześniak Magda, Formuły protestu, narzędzie protestu, „Widok. Teorie i Praktyki Kultury Wizualnej” 2017, nr 17, s. 11–19.
DOI: https://doi.org/10.36854/widok/2017.17.629
Talstou Aliaxey, Sztuka i protest, tłum. Hanna Pustuła, „dwutygodnik.com”, 321, 11/2021.
Taylor Diana, Presente! The Politics of Presence, Durham–London 2020.
DOI: https://doi.org/10.1515/9781478008897
The Routledge Companion to Media and Activism, wyd. Graham Meikle, New York 2018.
Thoreau Henry David, Civil Disobedience and Other Essays, New York 1993.
Turner Fred, From Counterculture to Cyberculture. Steward Brand, the Whole Earth Network, and the Rise of Digital Utopianism, Chicago 2008.
Weizman Eyal, Forensic Architecture: Violence at the Threshold of Detectability, New York 2017.
DOI: https://doi.org/10.2307/j.ctv14gphth
W stronę nieantropocentrycznej ekologii. Victoria Vesna i sztuka w świecie antropocenu, red. Ryszard W. Kluszczyński, Gdańsk–Łódź 2020.
Zeiger Melissa, The Ecopoetics of Survival: The Transborder Immigrant Tool and The Desert Survival Series, „Ecozon@”, vol. 10, 2019, nr 1, s. 99–116.
DOI: https://doi.org/10.37536/ECOZONA.2019.10.1.2857
Język Polski
English
