Hitchcock wobec holocaustu (Memory of the Camps)

Katarzyna Taras

doi:10.21697/zk.2020.7.27

Pubblicato il: 2020-12-31

N. 7 (2020)

Hitchcock wobec holocaustu (Memory of the Camps)

Katarzyna Taras

Załącznik Kulturoznawczy

Sezione: Artykuły

https://doi.org/10.21697/zk.2020.7.27

Abstract

This sketch is a kind of commentary (gloss) to a little-known episode in Alfred Hitchcock’s work, which was the director’s collaboration on Memory of the Camps (the film producer Sidney Bernstein invited Hitchcock in the spring of 1945 to assist the filmmakers in giving the final shape to the documentary film made by American, British and Soviet frontline operators just after the liberation of several concentration camps). The author of the article poses questions about the contribution of the ‘master of suspense’ to this shocking, unfinished documentary, expressing the opinion that as a creator he was only interested in violence created in the space of fiction, in a world functioning according to the rules he invented.

Puoi leggere altri articoli dello stesso autore/i

Katarzyna Taras, Operatorzy Felliniego , Załącznik Kulturoznawczy: N. 9 (2022)
Katarzyna Taras, O roli kamery w filmach Wojciecha Smarzowskiego , Załącznik Kulturoznawczy: N. 3 (2016)
Katarzyna Taras, Kamera weryfikuje , Załącznik Kulturoznawczy: N. 3 (2016)

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Regole di citazione

Taras, K. (2020). Hitchcock wobec holocaustu (Memory of the Camps). Załącznik Kulturoznawczy, (7), 583–592. https://doi.org/10.21697/zk.2020.7.27

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Licenza

Questo lavoro è fornito con la licenza Creative Commons Attribuzione - Non commerciale - Non opere derivate 4.0 Internazionale.

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