Saeculum Christianum. Historical Writings | Saeculum Christianum. Historical Writings

No. 28 (2021)

Wydanie specjalne

Published: 2021-12-10

Rozprawy i Artykuły

Color Perceived and Color Named

Jarosław Janowski

5-17

https://doi.org/10.21697/sc.2021.28.spec.1

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Colour in Venetian Artistic Handicraft in the 16th Century

Magdalena Białonowska

18-31

https://doi.org/10.21697/sc.2021.28.spec.2

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The colourful splendour of the Jesuit sacred interiors in Cusco (Peru) in the light of the eighteenth-century inventories

Ewa Kubiak

32-45

https://doi.org/10.21697/sc.2021.28.spec.3

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Metamorphoses of colour, constancy of inspiration: remarks on the decoration and furnishings of the sanctuary of Christ Crucified in Kobylanka

Aleksander Stankiewicz

46-60

https://doi.org/10.21697/sc.2021.28.spec.4

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From Bleu-mourant to Green: 18th--century Patterned Velvet from the Wilanów Palace

Barbara Czaja

61-68

https://doi.org/10.21697/sc.2021.28.spec.5

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The colourful meanders of ekphrasis: The issue of colour in the description and critical evaluation of paintings in the Polish-language Lviv press in the mid-19th century

Agnieszka Świętosławska

69-84

https://doi.org/10.21697/sc.2021.28.spec.6

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Glass models of jewellery stones in the collection of the National Museum in Kraków

Michał Myśliński Monika Paś

85-93

https://doi.org/10.21697/sc.2021.28.spec.7

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Color in Residential Interiors in the First Half of the 20th Century

Anna Kostrzyńska-Miłosz

94-103

https://doi.org/10.21697/sc.2021.28.spec.8

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The colors of memory. The symbolic and extrasymbolic meaning of color in the visual culture of cemeteries

Bartłomiej Gutowski

104-121

https://doi.org/10.21697/sc.2021.28.spec.9

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“The Color of Wood:” On the Criteria of Assessment and Interpretation of the Output of Zakopane Sculptors in Polish Art Criticism and Exhibitions from the End of World War II until the Folk Art at the 30th Anniversary of the Polish People's Republic Exhib

Katarzyna Chrudzimska-Uhera Katarzyna Chrudzimska-Uhera

122-142

https://doi.org/10.21697/sc.2021.28.spec.10

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Colour of Trace / Trace of Colour. How Chromatic Qualities of Matter Painting Can Offer Exposure to Non-Material Reality

Bernadeta Stano

143-157

https://doi.org/10.21697/sc.2021.28.spec.11

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Holocaust and Rebirth: Metamorphoses of Colors in the Work of Jewish Artis-Holocaust Survivor Aleksander Bogen (1916-2010)

Magdalena Tarnowska

158-175

https://doi.org/10.21697/sc.2021.28.spec.12

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Colour as a ready-made: notes on the margins of the works of Adam Marczyński

Elżbieta Błotnicka-Mazur

176-186

https://doi.org/10.21697/sc.2021.28.spec.13

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Sprawozdania i Komunikaty

Nieznana i unikalna kolekcja projektów w Zbiorach Dąbrowskich w Żołyni. Komunikat

Anna Sylwia Czyż

192-195

https://doi.org/10.21697/sc.2021.28.spec.15

PDF (Język Polski)

Edycja Tekstów Źródłowych

Listy Samuela Węsławskiego do Kazimierza Jana Sapiehy z czasów budowy pałacu na Antokolu w Wilnie

Anna Sylwia Czyż

187-191

https://doi.org/10.21697/sc.2021.28.spec.14

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Recenzje książek

„Studia Hildegardiana Sariensia” 6 (2019)

rec. Czesław Grajewski

196-199

PDF (Język Polski)

Romana Rupiewicz, Biblijne kody sacrum w kościele św. Andrzeja Boboli w Lublinie, Wydawnictwo Neriton, Warszawa 2020, ss. 393

rec. Ewa Letkiewicz

200-203

PDF (Język Polski)

Marta Wiraszka, Kaplice i mauzolea na cmentarzach Warszawy w XIX i pierwszej połowie XX wieku, t. 2: Źródła inspiracji, UKSW, Warszawa 2019, ss. 413.

rec. Piotr Gryglewski

203-206

PDF (Język Polski)

Aktualny numer

No. 28 (2021)

Wydanie specjalne

Rozprawy i Artykuły

Color Perceived and Color Named

Colour in Venetian Artistic Handicraft in the 16th Century

The colourful splendour of the Jesuit sacred interiors in Cusco (Peru) in the light of the eighteenth-century inventories

Metamorphoses of colour, constancy of inspiration: remarks on the decoration and furnishings of the sanctuary of Christ Crucified in Kobylanka

From Bleu-mourant to Green: 18th--century Patterned Velvet from the Wilanów Palace

The colourful meanders of ekphrasis: The issue of colour in the description and critical evaluation of paintings in the Polish-language Lviv press in the mid-19th century

Glass models of jewellery stones in the collection of the National Museum in Kraków

Color in Residential Interiors in the First Half of the 20th Century

The colors of memory. The symbolic and extrasymbolic meaning of color in the visual culture of cemeteries

“The Color of Wood:” On the Criteria of Assessment and Interpretation of the Output of Zakopane Sculptors in Polish Art Criticism and Exhibitions from the End of World War II until the Folk Art at the 30th Anniversary of the Polish People's Republic Exhib

Colour of Trace / Trace of Colour. How Chromatic Qualities of Matter Painting Can Offer Exposure to Non-Material Reality

Holocaust and Rebirth: Metamorphoses of Colors in the Work of Jewish Artis-Holocaust Survivor Aleksander Bogen (1916-2010)

Colour as a ready-made: notes on the margins of the works of Adam Marczyński

Sprawozdania i Komunikaty

Nieznana i unikalna kolekcja projektów w Zbiorach Dąbrowskich w Żołyni. Komunikat

Edycja Tekstów Źródłowych

Listy Samuela Węsławskiego do Kazimierza Jana Sapiehy z czasów budowy pałacu na Antokolu w Wilnie

Recenzje książek

„Studia Hildegardiana Sariensia” 6 (2019)

Romana Rupiewicz, Biblijne kody sacrum w kościele św. Andrzeja Boboli w Lublinie, Wydawnictwo Neriton, Warszawa 2020, ss. 393

Marta Wiraszka, Kaplice i mauzolea na cmentarzach Warszawy w XIX i pierwszej połowie XX wieku, t. 2: Źródła inspiracji, UKSW, Warszawa 2019, ss. 413.