Załącznik Kulturoznawczy | Załącznik Kulturoznawczy

No. 5 (2018)

Cultural Studies Appendix 5/2018

Published: 2023-10-08

Editors of the issue:

Section I – prof. ucz. dr hab. Brygida Pawłowska-Jądrzyk, dr Dorota Dąbrowska

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Artykuły

Around the Evolution of Language – Hypotheses on the Sources of the Human Speech and their Scientific Value

Robert Boroch

12-22

https://doi.org/10.21697/zk.2018.5.01

2018-12-31

PDF (Język Polski)

Oblicza sterowania. O perswazji niewerbalnej w sztuce i reklamie

Ewa Szczęsna

23-36

https://doi.org/10.21697/zk.2018.5.02

2018-12-31

PDF (Język Polski)

Gravity – Lightness – Persuasiveness. The Results from the Aesthetic Organisation of Sidney Lumet’s Film 12 Angry Men

Brygida Pawłowska-Jądrzyk

37-54

https://doi.org/10.21697/zk.2018.5.03

2018-12-31

PDF (Język Polski)

“Nationalisation of Romanticism” in the Cinema of the Second Polish Republic. On Ryszard Ordyński’s Pan Tadeusz

Elżbieta Szyngiel

55-75

https://doi.org/10.21697/zk.2018.5.04

2018-12-31

PDF (Język Polski)

Propaganda in the Polish Film Chronicle [Polska Kronika Filmowa] (Based on the Narrative Commentary from 1971-1975)

Małgorzata Ciunovič

77-92

https://doi.org/10.21697/zk.2018.5.05

2018-12-31

PDF (Język Polski)

“Your Fate is in your Hands Now” – Elements of Persuasion in the W imię Jakuba S. [In the Name of Jakub S.] by Monika Strzępka and Paweł Demirski

Katarzyna Gołos-Dąbrowska

93-107

https://doi.org/10.21697/zk.2018.5.06

2018-12-31

PDF (Język Polski)

Non-verbal Elements of Persuasion in Art – the Description of the Iconography of the Biblical Scene of Christ Meeting the Adulteress in the Background of the Speech Act Theory (Based on the Examples from the Italian Art of the 16th and 17th Century)

Anna Pięcińska

109-124

https://doi.org/10.21697/zk.2018.5.07

2018-12-31

PDF (Język Polski)

Realization of a Persuasive Function in Palma panieńska [Treatise on Virginity] by a Benedictine Monk, Basilio Gradi, as Translated by a Jesuit, Szymon Wysocki

Katarzyna Kaczor-Scheitler

125-142

https://doi.org/10.21697/zk.2018.5.08

2018-12-31

PDF (Język Polski)

The Persuasive Function of Clasping Someone’s Knees in the Iliad of Homer

Ilona Chruściak

143-156

https://doi.org/10.21697/zk.2018.5.09

2018-12-31

PDF (Język Polski)

The Masters of Truth in the Middle-Earth or the Worlds of Fantasy as Seen through the Lens of Detienne’s Theory

Joanna Komorowska

157-169

https://doi.org/10.21697/zk.2018.5.10

2018-12-31

PDF

The Transparency as a Functional and Visual Tool. The GUI of the Windows 10 Operating System as an Example

Agnieszka Smaga

171-183

https://doi.org/10.21697/zk.2018.5.11

2018-12-31

PDF

Between Biedermeier and the Terror of Holocaust. Filmic Representation of the Perspective of a Necrophile in The Cremator by Juraj Herz

Robert Birkholc

185-222

https://doi.org/10.21697/zk.2018.5.12

2018-12-31

PDF (Język Polski)

Fanny-fication of Henryk, or Nekrošius Stages Gombrowicz

Jacek Kopciński

223-239

https://doi.org/10.21697/zk.2018.5.13

2018-12-31

PDF (Język Polski)

Adam Mickiewicz’s Watch and Seal

Jan Zieliński

241-258

https://doi.org/10.21697/zk.2018.5.14

2018-12-31

PDF (Język Polski)

Iconology of Suffering. Aby Warburg on Pictorial Symbolization and the Images of War

Robert Pawlik

259-286

https://doi.org/10.21697/zk.2018.5.15

2018-12-31

PDF (Język Polski)

The Non-Views. Photographic Narrations on the Suffering

Marianna Michałowska

287-304

https://doi.org/10.21697/zk.2018.5.16

2018-12-31

PDF (Język Polski)

On and Under the Surface of Paint – Criteria of Painting Transparency

Arkadiusz Karapuda

305-320

https://doi.org/10.21697/zk.2018.5.17

2018-12-31

PDF (Język Polski)

The Laboratory of Film Analysis

Robert Birkholc Seweryn Kuśmierczyk

321-334

https://doi.org/10.21697/zk.2018.5.18

2018-12-31

PDF (Język Polski)

Theatre as a Tool of Political Intervention – on Michał Zadara’s Sprawiedliwość [Justice]

Dorota Dąbrowska

335-345

https://doi.org/10.21697/zk.2018.5.19

2018-12-31

PDF (Język Polski)

This Fascinating Space in Between. Notes on the Margin of the Book Mockumentary. Próba określenia istoty zjawiska [Mockumentary. An Attempt to Define the Essence of the Phenomenon]

Agnieszka Wnuk

347-351

https://doi.org/10.21697/zk.2018.5.20

2018-12-31

PDF (Język Polski)

Modern-day Gladiators. An Attempt to Determine the Essence and the Cultural Significance of the Pro Wrestling

Joanna Biernacik

353-436

https://doi.org/10.21697/zk.2018.5.21

2018-12-31

PDF (Język Polski)

Aktualny numer

No. 5 (2018)

Cultural Studies Appendix 5/2018

Artykuły

Around the Evolution of Language – Hypotheses on the Sources of the Human Speech and their Scientific Value

Oblicza sterowania. O perswazji niewerbalnej w sztuce i reklamie

Gravity – Lightness – Persuasiveness. The Results from the Aesthetic Organisation of Sidney Lumet’s Film 12 Angry Men

“Nationalisation of Romanticism” in the Cinema of the Second Polish Republic. On Ryszard Ordyński’s Pan Tadeusz

Propaganda in the Polish Film Chronicle [Polska Kronika Filmowa] (Based on the Narrative Commentary from 1971-1975)

“Your Fate is in your Hands Now” – Elements of Persuasion in the W imię Jakuba S. [In the Name of Jakub S.] by Monika Strzępka and Paweł Demirski

Non-verbal Elements of Persuasion in Art – the Description of the Iconography of the Biblical Scene of Christ Meeting the Adulteress in the Background of the Speech Act Theory (Based on the Examples from the Italian Art of the 16th and 17th Century)

Realization of a Persuasive Function in Palma panieńska [Treatise on Virginity] by a Benedictine Monk, Basilio Gradi, as Translated by a Jesuit, Szymon Wysocki

The Persuasive Function of Clasping Someone’s Knees in the Iliad of Homer

The Masters of Truth in the Middle-Earth or the Worlds of Fantasy as Seen through the Lens of Detienne’s Theory

The Transparency as a Functional and Visual Tool. The GUI of the Windows 10 Operating System as an Example

Between Biedermeier and the Terror of Holocaust. Filmic Representation of the Perspective of a Necrophile in The Cremator by Juraj Herz

Fanny-fication of Henryk, or Nekrošius Stages Gombrowicz

Adam Mickiewicz’s Watch and Seal

Iconology of Suffering. Aby Warburg on Pictorial Symbolization and the Images of War

The Non-Views. Photographic Narrations on the Suffering

On and Under the Surface of Paint – Criteria of Painting Transparency

The Laboratory of Film Analysis

Theatre as a Tool of Political Intervention – on Michał Zadara’s Sprawiedliwość [Justice]

This Fascinating Space in Between. Notes on the Margin of the Book Mockumentary. Próba określenia istoty zjawiska [Mockumentary. An Attempt to Define the Essence of the Phenomenon]

Modern-day Gladiators. An Attempt to Determine the Essence and the Cultural Significance of the Pro Wrestling