Non-Human Subjects in the Internet. The Case of a Silverfish

‘Wolność (Freedom) Cinema Screens a Film of Soviet Production...’ – Functions of Lower Silesian Film Posters from 1946–1948 in the Light of Materials Preserved in Wroclaw University Library

Man of Iron by Andrzej Pągowski. The Non-Cinematic Life of a Movie Poster

Mieczysław Górowski’s Film Posters in the Context of the Artist’s Work

UNOBVIOUS...? Selected Posters by Andrzej Pągowski for Polish Feature Films about the Artist and Art

The Confession of an Ardent Film Buff – Inspirations, Structure and Style of Movie Posters by Andrzej Klimowski

Black-and-White Film Poster from the Period of the Polish People’s Republic – Aesthetics and Expression. Autonomy of Artistic Expression versus the Function of a Movie Poster

Between the Film, the Poster, and the Viewer. A Case Study Based on Selected Posters by Mieczysław Wasilewski

Andrzej Pągowski as the Author of Film Posters

Jaroslaw Iwaszkiewicz's early drama on the contemporary stage. Kwidam's theatrical skirmishes

Bathrobe and Socks, i.e. Intimacy on Stage. About the Gdańsk Performance Jarosław’s Intimate Life (2020) Directed by Kuba Kowalski

In the Face of Death. Study of Human Attitudes in a Borderline Situation (Wajda’s The Birch Wood based on Iwaszkiewicz’s prose)

Eros and Thanatos – Jarosław Iwaszkiewicz’s Róża (Rose) and Ubranie prawie nowe (Almost New Dress) by Włodzimierz Haupe

Film Adaptations of Iwaszkiewicz’s Stracona noc – a Comparative Analysis

Alina Skiba’s Sérénité as an Adaptation of Jaroslaw Iwaszkiewicz’s Short Stories

Looking Back. On Two Themes in Marek Hłasko’s Prose

Polish James Dean? Angry Young Man? The Marek Hłasko Phenomenon and Transnational Studies

Marek Hłasko and „Trybuna Ludu”

Marek Hłasko’s games with pop culture

The Index of Forbidden Words – Emigration

The Main Text Versus the Dependent one. On Variations in the Fandom Creation and Transmedia Narratives Surrounding the Work of a Female Author-Fan

Informants, Translators and Observers: Collecting (Meta)Data and Implementing Research in Digital Postmodernity. Towards Collaborative Methods

On Both Sides of the Berlin Wall. Poetics of Translation of Selected Short Stories by Iwaszkiewicz in German

“... a Will Recorded in a Photograph: Here’s how Everything Should Look”: Photography between a Narrative of the Disaster and a Narrative Disaster – Based on the Example of Savyon Liebrecht’s Short Story Mother’s Photo Album

The Folk Hero and the Folk Viewer. Social and Cultural Sources of Film Preferences of the Polish Audiencje

Rewriting the People’s Republic. Strategies of evoking the past in contemporary Polish cinema

The Axiological Profile of Old Age in the Polish Language Based on Corpus Data

The Aesthetic-Historical Experience. Regarding Frank Ankersmit’s Concept

Film Adaptations of Contemporary Polish Literature. An Attempt to Characterize the Phenomenon

Pop Culture against Gravity. On Lightness in Advertising

Krystian Lupa and the Pop Culture Icons, i.e. "Persona. Marilyn" and the Mythical Body in Flames

Photography and Nostalgia. About the "Cold War" Film by Paweł Pawlikowski

“The European Culture is Sinking like Venice”. Italy in Memories of late Jarosław Iwaszkiewicz

On Valuation in Reportage – between Reflectiveness and Judgement

New Year’s Poems by Jarosław Iwaszkiewicz: from Occasional Poetry to the Private Genre

Secular Shepherds of the Polish Cinema. A Comparative Analysis of the Films Corpus Cristi (2019) by Jan Komasa and All Our Fears by Łukasz Ronduda and Łukasz Gutt

“Logic and consistency are the most important things” – KATARZYNA TARAS TALKS TO PAWEŁ EDELMAN ABOUT THE ART OF CINEMATOGRAPHY AND WORKING WITH ROMAN POLAŃSKI.

z Pawłem Edelmanem rozmawia Katarzyna Taras

ROUTE 99 – A JOURNEY TRANSFORMED INTO AN ARTISTIC FORM ABOUT GROWING NATIONALISM IN THE WORLD, IWASZKIEWICZ'S TRAVEL EXPERIENCE AND PREFERENCE FOR THE ARTIFICIALITY OF THEATRE

IZABELA TOMCZYK-JARZYNA TALKS TO FILIP BAJON

Andrzej Kijowski about Jarosław Iwaszkiewicz

An (Un)welcome Guest, or Derrida at Dinner with Don Juan. Hospitality in The Trickster of Seville and the Stone Guest according to the Philosophy of Jacques Derrida

Around the Film Aesthetics of Fire and Water. An Analysis of Selected Frames from the film Romeo + Juliet by Baz Luhrmann

Watches in the Tyszkiewicz Family. Part Two

Janusz Stanny’s Short Adventure with a Movie Poster