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    No. 6 (2019)

    Cultural Studies Appendix 6/2019

    Published: 2023-10-08

    Editors of the issue:

    Section I – dr Anna Wiśnicka

    PDF [Cały numer] (Język Polski) PDF [Strona redakcyjna] (Język Polski) PDF [Spis treści] (Język Polski) PDF [Słowo od Redakcji] (Język Polski)

    Artykuły

    The Great Fire of London as a Memory Site (Lieu de Mémoire)
    Anna Maria Tomczak   
    11-40
    https://doi.org/10.21697/zk.2019.6.01
    2019-12-31
    PDF

    Internets Are Burning. On Some Semiotizations of the Notre Dame Fire
    Małgorzata Jankowska    
    41-76
    https://doi.org/10.21697/zk.2019.6.02
    2019-12-31
    PDF (Język Polski)

    Cultural Dimension of Design – between Aestheticization and Responsibility
    Alicja Głutkowska-Polniak   
    77-89
    https://doi.org/10.21697/zk.2019.6.03
    2019-12-31
    PDF (Język Polski)

    What Is Polish Design?
    Anna Kostrzyńska-Miłosz   
    91-104
    https://doi.org/10.21697/zk.2019.6.04
    2019-12-31
    PDF (Język Polski)

    The Artistic Activity of the Polish Applied Art Society between 1901 and 1903. Attempts at Cooperation between Manufacturers, Designers and Consumers
    Agata Wójcik   
    105-119
    https://doi.org/10.21697/zk.2019.6.05
    2019-12-31
    PDF (Język Polski)

    „The Issue of Realism in the Formative Fine Arts”. Design and Its Criticism of Socialist Realism
    Elżbieta Kal   
    121-154
    https://doi.org/10.21697/zk.2019.6.06
    2019-12-31
    PDF (Język Polski)

    Industrial Design and Innovative Designs of Plaited Furniture in Poland in the First Quarter of the 20th Century
    Anna Feliks   
    155-170
    https://doi.org/10.21697/zk.2019.6.07
    2019-12-31
    PDF (Język Polski)

    Interwar Furniture in Lithuania: Design and History
    Aistė Dičkalnytė   
    171-187
    https://doi.org/10.21697/zk.2019.6.08
    2019-12-31
    PDF

    National Tendencies in Lithuanian Interwar Interior Design (1918–1940)
    Lina Preišegalavičienė   
    189-213
    https://doi.org/10.21697/zk.2019.6.09
    2019-12-31
    PDF (Język Polski)

    Norman Bel Geddes – the Visionary of the Future. Design as a Way of Building a Better Tomorrow
    Irma Kozina   
    215-230
    https://doi.org/10.21697/zk.2019.6.10
    2019-12-31
    PDF (Język Polski)

    Referring to Regional Dress: Dutch Traditional Costumes as Recurring Inspiration for Contemporary Fashion Design
    Marta Kargól   
    231-246
    https://doi.org/10.21697/zk.2019.6.11
    2019-12-31
    PDF

    From Imitation to Creation. Costume Jewellery in the First Half of 20th Century
    Agata Lipczik   
    247-262
    https://doi.org/10.21697/zk.2019.6.12
    2019-12-31
    PDF (Język Polski)

    Simple Yet Effective. Remarks on Finnish Approach to Design Promotion
    Anna Wiśnicka   
    263-284
    https://doi.org/10.21697/zk.2019.6.13
    2019-12-31
    PDF

    On the Poetics of Fire between Bachelard and the Image of Burning the House by Barba
    Ilaria Salonna-Rogozińska   
    285-298
    https://doi.org/10.21697/zk.2019.6.14
    2019-12-31
    PDF

    Krystian Lupa’s Transparent Theatre (Comments on the Functions of Transparency in Scenography)
    Katarzyna Gołos-Dąbrowska   
    299-310
    https://doi.org/10.21697/zk.2019.6.15
    2019-12-31
    PDF (Język Polski)

    Who the Genius Is? Cultural Stories about Mickiewicz and Słowacki after Regaining Independence
    Paweł Kuciński   
    311-338
    https://doi.org/10.21697/zk.2019.6.16
    2019-12-31
    PDF (Język Polski)

    The Borderline between Life and Death: The Motif of a Crystalline Membrane in The Mines of Falun, a Short Story by E.T.A. Hoffmann
    Tomasz Szybisty   
    339-353
    https://doi.org/10.21697/zk.2019.6.17
    2019-12-31
    PDF (Język Polski)

    The Fiancée on a Sheet of Ice – How the Cinema Talks about Impenetrable Feelings of Love
    Brygida Pawłowska-Jądrzyk   
    355-368
    https://doi.org/10.21697/zk.2019.6.18
    2019-12-31
    PDF (Język Polski)

    "If you don't see the mystery of events, you only see the surface".
    Brygida Pawłowska-Jądrzyk    Robert Birkholc    Krzysztof Zanussi   
    369-386
    https://doi.org/10.21697/zk.2019.6.19
    2019-12-31
    PDF (Język Polski)

    Konarski Conspirator Again Conspired. The Watchmaker’s Cipher in Interesting Men by Leskov
    Jan Zieliński   
    387-407
    https://doi.org/10.21697/zk.2019.6.20
    2019-12-31
    PDF (Język Polski)

    „We All Came Out of Water”
    Magdalena Szczypiorska-Chrzanowska   
    409-426
    https://doi.org/10.21697/zk.2019.6.21
    2019-12-31
    PDF (Język Polski)

    Locomotive on a New Tracks, or How Tuwim is Modernized
    Monika Janusz-Lorkowska   
    427-450
    https://doi.org/10.21697/zk.2019.6.22
    2019-12-31
    PDF (Język Polski)

    A Perspective as a Communication Tool. Jeanloupe Sieff’s Fashion Photographs
    Anna Piszczałka   
    451-471
    https://doi.org/10.21697/zk.2019.6.23
    2019-12-31
    PDF (Język Polski)

    Happy End. Darkening Up Haneke and Brightening Up Europe
    Konrad Wojnowski   
    473-480
    https://doi.org/10.21697/zk.2019.6.24
    2019-12-31
    PDF (Język Polski)

    New Life, or Pole Can (Could?) Do It
    Piotr Jakubowski   
    481-499
    https://doi.org/10.21697/zk.2019.6.25
    2019-12-31
    PDF (Język Polski)

    A Seeking Man – the Philosophical Anthropology in the Works of Krystian Lupa. Analysis of the Phenomenon on the Basis of Selected Performances
    Sylwia Merk   
    501-586
    https://doi.org/10.21697/zk.2019.6.26
    2019-12-31
    PDF (Język Polski)


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