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    No. 7 (2020)

    Cultural Studies Appendix 7/2020

    Published: 2023-10-08

    Editors of the issue:

    Section I – prof. ucz. dr hab. Brygida Pawłowska-Jądrzyk, dr Robert Birkholc 

    Section II – dr Leonardo Masi

    PDF [Cały numer] (Język Polski) PDF [Strona redakcyjna] (Język Polski) PDF [Spis treści] (Język Polski) PDF [Słowo od Redakcji] (Język Polski)

    Artykuły

    Horror of the Sky. Giambattista Vico and Hermann Usener on the Phobic Origins of Culture
    Robert Pawlik   
    11-35
    https://doi.org/10.21697/zk.2020.7.01
    2020-12-31
    PDF (Język Polski)

    GA Among Giants. Gans’s Scene of Language and Culture Origin in Reference to Cassirer’s and Heidegger’s Visions of the Human
    Magdalena Złocka-Dąbrowska   
    37-61
    https://doi.org/10.21697/zk.2020.7.02
    2020-12-31
    PDF

    Hitchcock, Blonde and the ‘Gaze’ (Characters Played by Grace Kelly)
    Iwona Kolasińska-Pasterczyk   
    63-92
    https://doi.org/10.21697/zk.2020.7.03
    2020-12-31
    PDF (Język Polski)

    The Face and (Its) Lack. About Alfred Hitchcock’s The Lodger
    Izabela Tomczyk-Jarzyna   
    93-116
    https://doi.org/10.21697/zk.2020.7.04
    2020-12-31
    PDF (Język Polski)

    (Self)reflexivity in Stage Fright by Alfred Hitchcock. On the Adaptation of Selwyn Jepson’s Novel
    Robert Birkholc   
    117-140
    https://doi.org/10.21697/zk.2020.7.05
    2020-12-31
    PDF (Język Polski)

    Analysis of the Graphic Principle of Contrast in Alfred Hitchcock’s Vertigo
    Agnieszka Smaga   
    141-166
    https://doi.org/10.21697/zk.2020.7.06
    2020-12-31
    PDF (Język Polski)

    No Mere Advertising. The Artistic Status of Film Trailers (in the Context of Alfred Hitchcock’s Psycho)
    Anna Górny   
    167-183
    https://doi.org/10.21697/zk.2020.7.07
    2020-12-31
    PDF (Język Polski)

    Audiovisual Vertigo. Alfred Hitchcock and Video Essays
    Paweł Biliński    
    185-210
    https://doi.org/10.21697/zk.2020.7.08
    2020-12-31
    PDF (Język Polski)

    Popular Music Analysis and Semiotics: Applications and Perspectives
    Jacopo Conti   
    211-224
    https://doi.org/10.21697/zk.2020.7.09
    2020-12-31
    PDF

    Popular Music Studies in Italy: A Historical/Political Overview
    Franco Fabbri   
    225-236
    https://doi.org/10.21697/zk.2020.7.10
    2020-12-31
    PDF

    Starting Points of ‘Popular Music Studies’ in Czechoslovakia
    Jan Blüml   
    237-258
    https://doi.org/10.21697/zk.2020.7.11
    2020-12-31
    PDF

    The Beginnings of Popular Music Studies in Poland (Hernas, Balcerzan and Barańczak)
    Leonardo Masi   
    259-271
    https://doi.org/10.21697/zk.2020.7.12
    2020-12-31
    PDF

    The Development of ‘Rockology’ in Poland
    Jakub Kasperski   
    273-299
    https://doi.org/10.21697/zk.2020.7.13
    2020-12-31
    PDF (Język Polski)

    Marlene Dietrich and The Millionaire Waltz by Queen. Linguistic and Musical Constructions of Persona in Popular Music
    Mariusz Gradowski    Monika Konert-Panek   
    301-326
    https://doi.org/10.21697/zk.2020.7.14
    2020-12-31
    PDF (Język Polski)

    Between Texts of Culture and Clinical Practice. Narratives about Psychiatrists and Current Issues of the Field
    Anna Róża Hoss   
    327-348
    https://doi.org/10.21697/zk.2020.7.15
    2020-12-31
    PDF (Język Polski)

    American Images in the Memory of Wojciech Karpiński in the Context of Antonio Damasio’s Neurological Research

    Barbara Trygar   
    349-372
    https://doi.org/10.21697/zk.2020.7.16
    2020-12-31
    PDF (Język Polski)

    Is Photography Adaptable for a Stage? The Performance Karl Höcker’s Album by the Trans-Atlantyk Theatre as a mise-en-scene of a Collection of Photographs
    Magdalena Szczypiorska-Chrzanowska   
    373-390
    https://doi.org/10.21697/zk.2020.7.17
    2020-12-31
    PDF (Język Polski)

    Performative Textuality, i.e. Methodology of Researching Artistic Legends
    Paweł Stangret   
    391-405
    https://doi.org/10.21697/zk.2020.7.18
    2020-12-31
    PDF (Język Polski)

    Is It Allowed to Laugh in Time of War? The Career of the ‘Second Current’ Theater in Warsaw in the Years 1914–1918 (from the Point of View of Selected Satirists and Literary Critics)
    Joanna Niewiarowska   
    407-426
    https://doi.org/10.21697/zk.2020.7.19
    2020-12-31
    PDF (Język Polski)

    Possessed in the Theater. Adaptive Measures on Witold Gombrowicz’s Novel Staged by Krzysztof Garbaczewski
    Katarzyna Gołos-Dąbrowska   
    429-453
    https://doi.org/10.21697/zk.2020.7.20
    2020-12-31
    PDF (Język Polski)

    Playing with Time, Space, and Narrative in Arturo Pérez Reverte’s The Flanders Panel (La table des Flandres)
    Aneta Kliszcz   
    455-471
    https://doi.org/10.21697/zk.2020.7.21
    2020-12-31
    PDF

    „Szukam paradoksalnego wydarzenia, a granica jest zawsze paradoksem…” – z Filipem Bajonem rozmawia Izabela Tomczyk-Jarzyna.
    Izabela Tomczyk-Jarzyna    Filip Bajon   
    473-495
    https://doi.org/10.21697/zk.2020.7.22
    2020-12-31
    PDF (Język Polski)

    Watches in the Tyszkiewicz Family. Part One
    Jan Zieliński   
    497-510
    https://doi.org/10.21697/zk.2020.7.23
    2020-12-31
    PDF (Język Polski)

    A Note from the Area of Everyday Life. Contribution to the reflection on isolation
    Agnieszka Karpiel    Jessica Kufa   
    511-524
    https://doi.org/10.21697/zk.2020.7.24
    2020-12-31
    PDF (Język Polski)

    Through the Recipient’s Eyes: Eye Images and Imaginary Images. Piotr Zbierski’s Echoes Shades Album
    Anna Maria Zarychta   
    525-551
    https://doi.org/10.21697/zk.2020.7.25
    2020-12-31
    PDF (Język Polski)

    Interactions between Visual Arts and Language/Literature at the Letter Festival: Word, Letter, Sign
    Teresa Dobrzyńska   
    553-581
    https://doi.org/10.21697/zk.2020.7.26
    2020-12-31
    PDF (Język Polski)

    Hitchcock against the Holocaust (Memory of the Camps)
    Katarzyna Taras   
    583-592
    https://doi.org/10.21697/zk.2020.7.27
    2020-12-31
    PDF (Język Polski)

    Reviving the Power of the Semiotic View. Thinking Out Loud on the Vitality of (and) the Text
    Katarzyna Machtyl   
    593-604
    https://doi.org/10.21697/zk.2020.7.28
    2020-12-31
    PDF (Język Polski)

    In Spite of the Format. A Few Remarks on Polish Contemporary Drama
    Jacek Kopciński   
    605-617
    https://doi.org/10.21697/zk.2020.7.29
    2020-12-31
    PDF (Język Polski)

    Keraunos. Przyczynek do historii pewnego wyobrażenia religijnego
    Piotr Napiwodzki    Hermann Usener   
    619-691
    https://doi.org/10.21697/zk.2020.7.30
    2020-12-31


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