Załącznik Kulturoznawczy | Załącznik Kulturoznawczy

No. 7 (2020)

Cultural Studies Appendix 7/2020

Published: 2023-10-08

Editors of the issue:

Section I – prof. ucz. dr hab. Brygida Pawłowska-Jądrzyk, dr Robert Birkholc

Section II – dr Leonardo Masi

PDF [Cały numer] (Język Polski) PDF [Strona redakcyjna] (Język Polski) PDF [Spis treści] (Język Polski) PDF [Słowo od Redakcji] (Język Polski)

Artykuły

Horror of the Sky. Giambattista Vico and Hermann Usener on the Phobic Origins of Culture

Robert Pawlik

11-35

https://doi.org/10.21697/zk.2020.7.01

2020-12-31

PDF (Język Polski)

GA Among Giants. Gans’s Scene of Language and Culture Origin in Reference to Cassirer’s and Heidegger’s Visions of the Human

Magdalena Złocka-Dąbrowska

37-61

https://doi.org/10.21697/zk.2020.7.02

2020-12-31

PDF

Hitchcock, Blonde and the ‘Gaze’ (Characters Played by Grace Kelly)

Iwona Kolasińska-Pasterczyk

63-92

https://doi.org/10.21697/zk.2020.7.03

2020-12-31

PDF (Język Polski)

The Face and (Its) Lack. About Alfred Hitchcock’s The Lodger

Izabela Tomczyk-Jarzyna

93-116

https://doi.org/10.21697/zk.2020.7.04

2020-12-31

PDF (Język Polski)

(Self)reflexivity in Stage Fright by Alfred Hitchcock. On the Adaptation of Selwyn Jepson’s Novel

Robert Birkholc

117-140

https://doi.org/10.21697/zk.2020.7.05

2020-12-31

PDF (Język Polski)

Analysis of the Graphic Principle of Contrast in Alfred Hitchcock’s Vertigo

Agnieszka Smaga

141-166

https://doi.org/10.21697/zk.2020.7.06

2020-12-31

PDF (Język Polski)

No Mere Advertising. The Artistic Status of Film Trailers (in the Context of Alfred Hitchcock’s Psycho)

Anna Górny

167-183

https://doi.org/10.21697/zk.2020.7.07

2020-12-31

PDF (Język Polski)

Audiovisual Vertigo. Alfred Hitchcock and Video Essays

Paweł Biliński

185-210

https://doi.org/10.21697/zk.2020.7.08

2020-12-31

PDF (Język Polski)

Popular Music Analysis and Semiotics: Applications and Perspectives

Jacopo Conti

211-224

https://doi.org/10.21697/zk.2020.7.09

2020-12-31

PDF

Popular Music Studies in Italy: A Historical/Political Overview

Franco Fabbri

225-236

https://doi.org/10.21697/zk.2020.7.10

2020-12-31

PDF

Starting Points of ‘Popular Music Studies’ in Czechoslovakia

Jan Blüml

237-258

https://doi.org/10.21697/zk.2020.7.11

2020-12-31

PDF

The Beginnings of Popular Music Studies in Poland (Hernas, Balcerzan and Barańczak)

Leonardo Masi

259-271

https://doi.org/10.21697/zk.2020.7.12

2020-12-31

PDF

The Development of ‘Rockology’ in Poland

Jakub Kasperski

273-299

https://doi.org/10.21697/zk.2020.7.13

2020-12-31

PDF (Język Polski)

Marlene Dietrich and The Millionaire Waltz by Queen. Linguistic and Musical Constructions of Persona in Popular Music

Mariusz Gradowski Monika Konert-Panek

301-326

https://doi.org/10.21697/zk.2020.7.14

2020-12-31

PDF (Język Polski)

Between Texts of Culture and Clinical Practice. Narratives about Psychiatrists and Current Issues of the Field

Anna Róża Hoss

327-348

https://doi.org/10.21697/zk.2020.7.15

2020-12-31

PDF (Język Polski)

American Images in the Memory of Wojciech Karpiński in the Context of Antonio Damasio’s Neurological Research

Barbara Trygar

349-372

https://doi.org/10.21697/zk.2020.7.16

2020-12-31

PDF (Język Polski)

Is Photography Adaptable for a Stage? The Performance Karl Höcker’s Album by the Trans-Atlantyk Theatre as a mise-en-scene of a Collection of Photographs

Magdalena Szczypiorska-Chrzanowska

373-390

https://doi.org/10.21697/zk.2020.7.17

2020-12-31

PDF (Język Polski)

Performative Textuality, i.e. Methodology of Researching Artistic Legends

Paweł Stangret

391-405

https://doi.org/10.21697/zk.2020.7.18

2020-12-31

PDF (Język Polski)

Is It Allowed to Laugh in Time of War? The Career of the ‘Second Current’ Theater in Warsaw in the Years 1914–1918 (from the Point of View of Selected Satirists and Literary Critics)

Joanna Niewiarowska

407-426

https://doi.org/10.21697/zk.2020.7.19

2020-12-31

PDF (Język Polski)

Possessed in the Theater. Adaptive Measures on Witold Gombrowicz’s Novel Staged by Krzysztof Garbaczewski

Katarzyna Gołos-Dąbrowska

429-453

https://doi.org/10.21697/zk.2020.7.20

2020-12-31

PDF (Język Polski)

Playing with Time, Space, and Narrative in Arturo Pérez Reverte’s The Flanders Panel (La table des Flandres)

Aneta Kliszcz

455-471

https://doi.org/10.21697/zk.2020.7.21

2020-12-31

PDF

„Szukam paradoksalnego wydarzenia, a granica jest zawsze paradoksem…” – z Filipem Bajonem rozmawia Izabela Tomczyk-Jarzyna.

Izabela Tomczyk-Jarzyna Filip Bajon

473-495

https://doi.org/10.21697/zk.2020.7.22

2020-12-31

PDF (Język Polski)

Watches in the Tyszkiewicz Family. Part One

Jan Zieliński

497-510

https://doi.org/10.21697/zk.2020.7.23

2020-12-31

PDF (Język Polski)

A Note from the Area of Everyday Life. Contribution to the reflection on isolation

Agnieszka Karpiel Jessica Kufa

511-524

https://doi.org/10.21697/zk.2020.7.24

2020-12-31

PDF (Język Polski)

Through the Recipient’s Eyes: Eye Images and Imaginary Images. Piotr Zbierski’s Echoes Shades Album

Anna Maria Zarychta

525-551

https://doi.org/10.21697/zk.2020.7.25

2020-12-31

PDF (Język Polski)

Interactions between Visual Arts and Language/Literature at the Letter Festival: Word, Letter, Sign

Teresa Dobrzyńska

553-581

https://doi.org/10.21697/zk.2020.7.26

2020-12-31

PDF (Język Polski)

Hitchcock against the Holocaust (Memory of the Camps)

Katarzyna Taras

583-592

https://doi.org/10.21697/zk.2020.7.27

2020-12-31

PDF (Język Polski)

Reviving the Power of the Semiotic View. Thinking Out Loud on the Vitality of (and) the Text

Katarzyna Machtyl

593-604

https://doi.org/10.21697/zk.2020.7.28

2020-12-31

PDF (Język Polski)

In Spite of the Format. A Few Remarks on Polish Contemporary Drama

Jacek Kopciński

605-617

https://doi.org/10.21697/zk.2020.7.29

2020-12-31

PDF (Język Polski)

Keraunos. Przyczynek do historii pewnego wyobrażenia religijnego

Piotr Napiwodzki Hermann Usener

619-691

https://doi.org/10.21697/zk.2020.7.30

2020-12-31

Aktualny numer

No. 7 (2020)

Cultural Studies Appendix 7/2020

Artykuły

Horror of the Sky. Giambattista Vico and Hermann Usener on the Phobic Origins of Culture

GA Among Giants. Gans’s Scene of Language and Culture Origin in Reference to Cassirer’s and Heidegger’s Visions of the Human

Hitchcock, Blonde and the ‘Gaze’ (Characters Played by Grace Kelly)

The Face and (Its) Lack. About Alfred Hitchcock’s The Lodger

(Self)reflexivity in Stage Fright by Alfred Hitchcock. On the Adaptation of Selwyn Jepson’s Novel

Analysis of the Graphic Principle of Contrast in Alfred Hitchcock’s Vertigo

No Mere Advertising. The Artistic Status of Film Trailers (in the Context of Alfred Hitchcock’s Psycho)

Audiovisual Vertigo. Alfred Hitchcock and Video Essays

Popular Music Analysis and Semiotics: Applications and Perspectives

Popular Music Studies in Italy: A Historical/Political Overview

Starting Points of ‘Popular Music Studies’ in Czechoslovakia

The Beginnings of Popular Music Studies in Poland (Hernas, Balcerzan and Barańczak)

The Development of ‘Rockology’ in Poland

Marlene Dietrich and The Millionaire Waltz by Queen. Linguistic and Musical Constructions of Persona in Popular Music

Between Texts of Culture and Clinical Practice. Narratives about Psychiatrists and Current Issues of the Field

American Images in the Memory of Wojciech Karpiński in the Context of Antonio Damasio’s Neurological Research

Is Photography Adaptable for a Stage? The Performance Karl Höcker’s Album by the Trans-Atlantyk Theatre as a mise-en-scene of a Collection of Photographs

Performative Textuality, i.e. Methodology of Researching Artistic Legends

Is It Allowed to Laugh in Time of War? The Career of the ‘Second Current’ Theater in Warsaw in the Years 1914–1918 (from the Point of View of Selected Satirists and Literary Critics)

Possessed in the Theater. Adaptive Measures on Witold Gombrowicz’s Novel Staged by Krzysztof Garbaczewski

Playing with Time, Space, and Narrative in Arturo Pérez Reverte’s The Flanders Panel (La table des Flandres)

„Szukam paradoksalnego wydarzenia, a granica jest zawsze paradoksem…” – z Filipem Bajonem rozmawia Izabela Tomczyk-Jarzyna.

Watches in the Tyszkiewicz Family. Part One

A Note from the Area of Everyday Life. Contribution to the reflection on isolation

Through the Recipient’s Eyes: Eye Images and Imaginary Images. Piotr Zbierski’s Echoes Shades Album

Interactions between Visual Arts and Language/Literature at the Letter Festival: Word, Letter, Sign

Hitchcock against the Holocaust (Memory of the Camps)

Reviving the Power of the Semiotic View. Thinking Out Loud on the Vitality of (and) the Text

In Spite of the Format. A Few Remarks on Polish Contemporary Drama

Keraunos. Przyczynek do historii pewnego wyobrażenia religijnego