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    No. 9 (2022)

    Cultural Studies Appendix 9/2022

    Published: 2022-12-31

    Editors of the issue:

    Section I - Prof. Dr. Piotr Weiser

    Section II - Dr. Robert Birkholc, Dr. Izabela Tomczyk-Jarzyna

    PDF [Cały numer] (Język Polski) PDF [Strona redakcyjna] (Język Polski) PDF [Spis treści] (Język Polski) PDF [Słowo od Redakcji] (Język Polski)

    Artykuły

    Cultural Image of the Monarch in Jordan
    Grzegorz Małachowski   
    11-33
    https://doi.org/10.21697/zk.2022.9.01
    2022-12-31
    PDF

    Cognitive and Neurocognitive Potentials of GA’s Acts from the Scene of Language Origin
    Magdalena Złocka-Dąbrowska   
    35-49
    https://doi.org/10.21697/zk.2022.9.02
    2022-12-31
    PDF

    Józef Hen, Director – Unfinished Worlds
    Andrzej Gwóźdź   
    51-67
    https://doi.org/10.21697/zk.2022.9.03
    2022-12-31
    PDF (Język Polski)

    “September of the ‘39 Happened to me for the First Time”. Resistance and Metaphors of Defeat and Resistance in the Works of Józef Hen
    Marcin Wyrembelski   
    69-85
    https://doi.org/10.21697/zk.2022.9.04
    2022-12-31
    PDF (Język Polski)

    Two Athletes, One Arena and a Crematory – There is Nothing Simple About it or Truth vs. Fiction in Holocaust Literature on Sports (on the Example of Boxer and Death by Józef Hen)
    Paweł Wolski   
    87-115
    https://doi.org/10.21697/zk.2022.9.05
    2022-12-31
    PDF (Język Polski)

    The Boxer and Death. A Boxing Film and a Story About Auschwitz
    Katarzyna Mąka-Malatyńska   
    117-135
    https://doi.org/10.21697/zk.2022.9.06
    2022-12-31
    PDF (Język Polski)

    Józef Hen and Józef Bau
    Arkadiusz Morawiec   
    137-159
    https://doi.org/10.21697/zk.2022.9.07
    2022-12-31
    PDF (Język Polski)

    Józef Hen about Poland of Polish Jews, the Country which doesn’t Exist Anymore, but Still Exists (Nowolipie, 1991)
    Hanna Gosk   
    161-170
    https://doi.org/10.21697/zk.2022.9.08
    2022-12-31
    PDF (Język Polski)

    Józef Hen’s Nikt nie woła – Poland? Or rather life? In search of Jewish “I”
    Beata Przymuszała   
    171-189
    https://doi.org/10.21697/zk.2022.9.09
    2022-12-31
    PDF (Język Polski)

    The Ping-Pong Player. Józef Hen’s Reading of Jedwabne
    Tadeusz Lubelski   
    191-202
    https://doi.org/10.21697/zk.2022.9.10
    2022-12-31
    PDF (Język Polski)

    Jesus Burnt in the Stable. The Image of Christians in Józef Hen’s novel The Ping-Pong Player
    Sławomir Jacek Żurek   
    203-231
    https://doi.org/10.21697/zk.2022.9.11
    2022-12-31

    Diary as a Form of Life. Józef Hen’s Notes
    Bartosz Dąbrowski   
    233-248
    https://doi.org/10.21697/zk.2022.9.12
    2022-12-31
    PDF (Język Polski)

    Royal Dreams, that is “the Dream of a Citizen of Contemporary Poland about a Wise and Just Ruler”
    Piotr Zwierzchowski   
    249-265
    https://doi.org/10.21697/zk.2022.9.13
    2022-12-31
    PDF (Język Polski)

    Filmowe sny Józefa Hena Z Krzysztofem Kucem (Fundacja Filmowa Kazimierza Kutza) rozmawia Bartosz Kwieciński (Uniwersytet Jagielloński)
    Bartosz Kwieciński   
    267-277
    https://doi.org/10.21697/zk.2022.9.14
    2022-12-31
    PDF (Język Polski)

    Filling the Empty Gaps: On Federico Fellini’s Literature Fascinations and Adaptation Strategies in his Film Work
    Piotr Kletowski   
    279-302
    https://doi.org/10.21697/zk.2022.9.15
    2022-12-31
    PDF (Język Polski)

    Fellini’s Film Notes. Fellini: A Director’s Notebook as a Manifesto of the Filmmaker’s Poetics
    Robert Birkholc   
    302-322
    https://doi.org/10.21697/zk.2022.9.16
    2022-12-31
    PDF (Język Polski)

    Being a Celebrity, Being a Paparazzo. Fellini’s Protagonists in La Dolce Vita
    Wiesław Godzic   
    323-339
    https://doi.org/10.21697/zk.2022.9.17
    2022-12-31
    PDF (Język Polski)

    Sins in Italian According to Federico Fellini. Roman Triptych of Perdition and Vanishing Holiness
    Iwona Kolasińska-Pasterczyk   
    341-379
    https://doi.org/10.21697/zk.2022.9.18
    2022-12-31
    PDF (Język Polski)

    The Mask and the Labyrinth. On the Process of Collective Individuation in Federico Fellini’s Amarcord
    Izabela Tomczyk-Jarzyna   
    381-406
    https://doi.org/10.21697/zk.2022.9.19
    2022-12-31
    PDF (Język Polski)

    Overthrowing and Creation of Initiation Schemes in Films of Federico Fellini
    Anna Grochowiak   
    407-429
    https://doi.org/10.21697/zk.2022.9.20
    2022-12-31
    PDF (Język Polski)

    Va, pensiero… – Opera in the Film E la nave va (And the Ship Sails On) by Federico Fellini
    Małgorzata Kosacka   
    431-446
    https://doi.org/10.21697/zk.2022.9.21
    2022-12-31
    PDF (Język Polski)

    Fellini and Popular Music
    Leonardo Masi   
    447-462
    https://doi.org/10.21697/zk.2022.9.22
    2022-12-31
    PDF

    The Cinematographers of Federico Fellini
    Katarzyna Taras   
    463-476
    https://doi.org/10.21697/zk.2022.9.23
    2022-12-31
    PDF (Język Polski)

    Selection of Faces – Fellini and Diane Arbus Meeting in the Light of Semantic Vision of Human Physiognomies
    Katarzyna Ziemlewska   
    477-502
    https://doi.org/10.21697/zk.2022.9.24
    2022-12-31
    PDF (Język Polski)

    A Poet in front of a Sundial
    Jan Zieliński   
    503-515
    https://doi.org/10.21697/zk.2022.9.25
    2022-12-31
    PDF (Język Polski)

    Big Little Man in the Bikorn. On the Iconography of Napoleon’s Power and Fall on Postcards from the First Decades of the 20th Century
    Brygida Pawłowska-Jądrzyk   
    517-542
    https://doi.org/10.21697/zk.2022.9.26
    2022-12-31
    PDF (Język Polski)

    Kapuściński Passé? Ignacy Karpowicz’s Travesty of the Literary Writing Model of the Master of Reportage and the Context of the Communication Scene Transformation
    Marlena Rycombel   
    543-563
    https://doi.org/10.21697/zk.2022.9.27
    2022-12-31
    PDF (Język Polski)

    Polański, Hitchcock and MacGuffin
    Brygida Pawłowska-Jądrzyk   
    565-575
    https://doi.org/10.21697/zk.2022.9.28
    2022-12-31
    PDF (Język Polski)

    Appendix to the Creative Biography of Leon Wyczółkowski
    Roman Konik   
    577-589
    https://doi.org/10.21697/zk.2022.9.29
    2022-12-31
    PDF (Język Polski)

    On Music in the Times of the CO VID -19 Pandemic: A Sociological Interpretation of Changes in Musical Practices at the Performance and Reception Level
    Barbara Jabłońska   
    591-612
    https://doi.org/10.21697/zk.2022.9.30
    2022-12-31
    PDF (Język Polski)

    Modern Costume Books as an Interpretation and Symbolic Perception of the World in Sixteenth-Century Europe
    Karolina Szymankiewicz   
    613-637
    https://doi.org/10.21697/zk.2022.9.31
    2022-12-31
    PDF (Język Polski)

    Sublime as a Flywheel of Terror. The Influence of Edmund Burke’s and Immanuel Kant’s Esthetics on the Literature of Romanticism
    Kamil Barski   
    639-652
    https://doi.org/10.21697/zk.2022.9.32
    2022-12-31
    PDF (Język Polski)

    “We Are Vital Materiality and We Are Surrounded by it, Though We Do Not Always See It That Way”. The Notion of Life in New Materialism
    Małgorzata Kowalcze   
    653-664
    https://doi.org/10.21697/zk.2022.9.33
    2022-12-31
    PDF (Język Polski)

    Work on Matter and Spirit, or What Happened in the Dark Forest
    Jacek Kopciński   
    665-683
    https://doi.org/10.21697/zk.2022.9.34
    2022-12-31
    PDF (Język Polski)

    “I Guess That’s the Way the Whole Durned Human Comedy Keeps Perpetuatin’ It-Self, Down Through the Generations, Westward the Wagons, Across the Sands…”. Parabolic Cinema of Coen Brothers
    Kamila Żyto   
    685-718
    https://doi.org/10.21697/zk.2022.9.35
    2022-12-31
    PDF (Język Polski)

    Everything’s gonna be OK and the Christian Concept of Miracle
    Piotr Sitarski   
    719-731
    https://doi.org/10.21697/zk.2022.9.36
    2022-12-31
    PDF (Język Polski)

    Polish Modernization in Biographical Films of the 2010s
    Ewa Hanna Mazierska   
    733-757
    https://doi.org/10.21697/zk.2022.9.37
    2022-12-31
    PDF

    The Second Coming in the Wicked House: Pablo Larraín’s El Club (2015)
    Grzegorz Ziółkowski   
    759-780
    https://doi.org/10.21697/zk.2022.9.38
    2022-12-31
    PDF

    Narrative: Event, Temporality, Sequence
    Marina Ludwigs   
    781-802
    https://doi.org/10.21697/zk.2022.9.39
    2022-12-31
    PDF

    Making a Name in a Male-dominated Industry: Women Jewelers in Poland Before 1939
    Agata Lipczik   
    803-821
    https://doi.org/10.21697/zk.2022.9.40
    2022-12-31
    PDF


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