Załącznik Kulturoznawczy | Załącznik Kulturoznawczy

Cultural Image of the Monarch in Jordan

Grzegorz Małachowski

11-33

https://doi.org/10.21697/zk.2022.9.01

2022-12-31

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Cognitive and Neurocognitive Potentials of GA’s Acts from the Scene of Language Origin

Magdalena Złocka-Dąbrowska

35-49

https://doi.org/10.21697/zk.2022.9.02

2022-12-31

PDF

Józef Hen, Director – Unfinished Worlds

Andrzej Gwóźdź

51-67

https://doi.org/10.21697/zk.2022.9.03

2022-12-31

PDF (Język Polski)

“September of the ‘39 Happened to me for the First Time”. Resistance and Metaphors of Defeat and Resistance in the Works of Józef Hen

Marcin Wyrembelski

69-85

https://doi.org/10.21697/zk.2022.9.04

2022-12-31

PDF (Język Polski)

Two Athletes, One Arena and a Crematory – There is Nothing Simple About it or Truth vs. Fiction in Holocaust Literature on Sports (on the Example of Boxer and Death by Józef Hen)

Paweł Wolski

87-115

https://doi.org/10.21697/zk.2022.9.05

2022-12-31

PDF (Język Polski)

The Boxer and Death. A Boxing Film and a Story About Auschwitz

Katarzyna Mąka-Malatyńska

117-135

https://doi.org/10.21697/zk.2022.9.06

2022-12-31

PDF (Język Polski)

Józef Hen and Józef Bau

Arkadiusz Morawiec

137-159

https://doi.org/10.21697/zk.2022.9.07

2022-12-31

PDF (Język Polski)

Józef Hen about Poland of Polish Jews, the Country which doesn’t Exist Anymore, but Still Exists (Nowolipie, 1991)

Hanna Gosk

161-170

https://doi.org/10.21697/zk.2022.9.08

2022-12-31

PDF (Język Polski)

Józef Hen’s Nikt nie woła – Poland? Or rather life? In search of Jewish “I”

Beata Przymuszała

171-189

https://doi.org/10.21697/zk.2022.9.09

2022-12-31

PDF (Język Polski)

The Ping-Pong Player. Józef Hen’s Reading of Jedwabne

Tadeusz Lubelski

191-202

https://doi.org/10.21697/zk.2022.9.10

2022-12-31

PDF (Język Polski)

Jesus Burnt in the Stable. The Image of Christians in Józef Hen’s novel The Ping-Pong Player

Sławomir Jacek Żurek

203-231

https://doi.org/10.21697/zk.2022.9.11

2022-12-31

Diary as a Form of Life. Józef Hen’s Notes

Bartosz Dąbrowski

233-248

https://doi.org/10.21697/zk.2022.9.12

2022-12-31

PDF (Język Polski)

Royal Dreams, that is “the Dream of a Citizen of Contemporary Poland about a Wise and Just Ruler”

Piotr Zwierzchowski

249-265

https://doi.org/10.21697/zk.2022.9.13

2022-12-31

PDF (Język Polski)

Filmowe sny Józefa Hena Z Krzysztofem Kucem (Fundacja Filmowa Kazimierza Kutza) rozmawia Bartosz Kwieciński (Uniwersytet Jagielloński)

Bartosz Kwieciński

267-277

https://doi.org/10.21697/zk.2022.9.14

2022-12-31

PDF (Język Polski)

Filling the Empty Gaps: On Federico Fellini’s Literature Fascinations and Adaptation Strategies in his Film Work

Piotr Kletowski

279-302

https://doi.org/10.21697/zk.2022.9.15

2022-12-31

PDF (Język Polski)

Fellini’s Film Notes. Fellini: A Director’s Notebook as a Manifesto of the Filmmaker’s Poetics

Robert Birkholc

302-322

https://doi.org/10.21697/zk.2022.9.16

2022-12-31

PDF (Język Polski)

Being a Celebrity, Being a Paparazzo. Fellini’s Protagonists in La Dolce Vita

Wiesław Godzic

323-339

https://doi.org/10.21697/zk.2022.9.17

2022-12-31

PDF (Język Polski)

Sins in Italian According to Federico Fellini. Roman Triptych of Perdition and Vanishing Holiness

Iwona Kolasińska-Pasterczyk

341-379

https://doi.org/10.21697/zk.2022.9.18

2022-12-31

PDF (Język Polski)

The Mask and the Labyrinth. On the Process of Collective Individuation in Federico Fellini’s Amarcord

Izabela Tomczyk-Jarzyna

381-406

https://doi.org/10.21697/zk.2022.9.19

2022-12-31

PDF (Język Polski)

Overthrowing and Creation of Initiation Schemes in Films of Federico Fellini

Anna Grochowiak

407-429

https://doi.org/10.21697/zk.2022.9.20

2022-12-31

PDF (Język Polski)

Va, pensiero… – Opera in the Film E la nave va (And the Ship Sails On) by Federico Fellini

Małgorzata Kosacka

431-446

https://doi.org/10.21697/zk.2022.9.21

2022-12-31

PDF (Język Polski)

Fellini and Popular Music

Leonardo Masi

447-462

https://doi.org/10.21697/zk.2022.9.22

2022-12-31

PDF

The Cinematographers of Federico Fellini

Katarzyna Taras

463-476

https://doi.org/10.21697/zk.2022.9.23

2022-12-31

PDF (Język Polski)

Selection of Faces – Fellini and Diane Arbus Meeting in the Light of Semantic Vision of Human Physiognomies

Katarzyna Ziemlewska

477-502

https://doi.org/10.21697/zk.2022.9.24

2022-12-31

PDF (Język Polski)

A Poet in front of a Sundial

Jan Zieliński

503-515

https://doi.org/10.21697/zk.2022.9.25

2022-12-31

PDF (Język Polski)

Big Little Man in the Bikorn. On the Iconography of Napoleon’s Power and Fall on Postcards from the First Decades of the 20th Century

Brygida Pawłowska-Jądrzyk

517-542

https://doi.org/10.21697/zk.2022.9.26

2022-12-31

PDF (Język Polski)

Kapuściński Passé? Ignacy Karpowicz’s Travesty of the Literary Writing Model of the Master of Reportage and the Context of the Communication Scene Transformation

Marlena Rycombel

543-563

https://doi.org/10.21697/zk.2022.9.27

2022-12-31

PDF (Język Polski)

Polański, Hitchcock and MacGuffin

Brygida Pawłowska-Jądrzyk

565-575

https://doi.org/10.21697/zk.2022.9.28

2022-12-31

PDF (Język Polski)

Appendix to the Creative Biography of Leon Wyczółkowski

Roman Konik

577-589

https://doi.org/10.21697/zk.2022.9.29

2022-12-31

PDF (Język Polski)

On Music in the Times of the CO VID -19 Pandemic: A Sociological Interpretation of Changes in Musical Practices at the Performance and Reception Level

Barbara Jabłońska

591-612

https://doi.org/10.21697/zk.2022.9.30

2022-12-31

PDF (Język Polski)

Modern Costume Books as an Interpretation and Symbolic Perception of the World in Sixteenth-Century Europe

Karolina Szymankiewicz

613-637

https://doi.org/10.21697/zk.2022.9.31

2022-12-31

PDF (Język Polski)

Sublime as a Flywheel of Terror. The Influence of Edmund Burke’s and Immanuel Kant’s Esthetics on the Literature of Romanticism

Kamil Barski

639-652

https://doi.org/10.21697/zk.2022.9.32

2022-12-31

PDF (Język Polski)

“We Are Vital Materiality and We Are Surrounded by it, Though We Do Not Always See It That Way”. The Notion of Life in New Materialism

Małgorzata Kowalcze

653-664

https://doi.org/10.21697/zk.2022.9.33

2022-12-31

PDF (Język Polski)

Work on Matter and Spirit, or What Happened in the Dark Forest

Jacek Kopciński

665-683

https://doi.org/10.21697/zk.2022.9.34

2022-12-31

PDF (Język Polski)

“I Guess That’s the Way the Whole Durned Human Comedy Keeps Perpetuatin’ It-Self, Down Through the Generations, Westward the Wagons, Across the Sands…”. Parabolic Cinema of Coen Brothers

Kamila Żyto

685-718

https://doi.org/10.21697/zk.2022.9.35

2022-12-31

PDF (Język Polski)

Everything’s gonna be OK and the Christian Concept of Miracle

Piotr Sitarski

719-731

https://doi.org/10.21697/zk.2022.9.36

2022-12-31

PDF (Język Polski)

Polish Modernization in Biographical Films of the 2010s

Ewa Hanna Mazierska

733-757

https://doi.org/10.21697/zk.2022.9.37

2022-12-31

PDF

The Second Coming in the Wicked House: Pablo Larraín’s El Club (2015)

Grzegorz Ziółkowski

759-780

https://doi.org/10.21697/zk.2022.9.38

2022-12-31

PDF

Narrative: Event, Temporality, Sequence

Marina Ludwigs

781-802

https://doi.org/10.21697/zk.2022.9.39

2022-12-31

PDF

Making a Name in a Male-dominated Industry: Women Jewelers in Poland Before 1939

Agata Lipczik

803-821

https://doi.org/10.21697/zk.2022.9.40

2022-12-31

PDF

No. 9 (2022)

Cultural Studies Appendix 9/2022

Artykuły

Cultural Image of the Monarch in Jordan

Cognitive and Neurocognitive Potentials of GA’s Acts from the Scene of Language Origin

Józef Hen, Director – Unfinished Worlds

“September of the ‘39 Happened to me for the First Time”. Resistance and Metaphors of Defeat and Resistance in the Works of Józef Hen

Two Athletes, One Arena and a Crematory – There is Nothing Simple About it or Truth vs. Fiction in Holocaust Literature on Sports (on the Example of Boxer and Death by Józef Hen)

The Boxer and Death. A Boxing Film and a Story About Auschwitz

Józef Hen and Józef Bau

Józef Hen about Poland of Polish Jews, the Country which doesn’t Exist Anymore, but Still Exists (Nowolipie, 1991)

Józef Hen’s Nikt nie woła – Poland? Or rather life? In search of Jewish “I”

The Ping-Pong Player. Józef Hen’s Reading of Jedwabne

Jesus Burnt in the Stable. The Image of Christians in Józef Hen’s novel The Ping-Pong Player

Diary as a Form of Life. Józef Hen’s Notes

Royal Dreams, that is “the Dream of a Citizen of Contemporary Poland about a Wise and Just Ruler”

Filmowe sny Józefa Hena Z Krzysztofem Kucem (Fundacja Filmowa Kazimierza Kutza) rozmawia Bartosz Kwieciński (Uniwersytet Jagielloński)

Filling the Empty Gaps: On Federico Fellini’s Literature Fascinations and Adaptation Strategies in his Film Work

Fellini’s Film Notes. Fellini: A Director’s Notebook as a Manifesto of the Filmmaker’s Poetics

Being a Celebrity, Being a Paparazzo. Fellini’s Protagonists in La Dolce Vita

Sins in Italian According to Federico Fellini. Roman Triptych of Perdition and Vanishing Holiness

The Mask and the Labyrinth. On the Process of Collective Individuation in Federico Fellini’s Amarcord

Overthrowing and Creation of Initiation Schemes in Films of Federico Fellini

Va, pensiero… – Opera in the Film E la nave va (And the Ship Sails On) by Federico Fellini

Fellini and Popular Music

The Cinematographers of Federico Fellini

Selection of Faces – Fellini and Diane Arbus Meeting in the Light of Semantic Vision of Human Physiognomies

A Poet in front of a Sundial

Big Little Man in the Bikorn. On the Iconography of Napoleon’s Power and Fall on Postcards from the First Decades of the 20th Century

Kapuściński Passé? Ignacy Karpowicz’s Travesty of the Literary Writing Model of the Master of Reportage and the Context of the Communication Scene Transformation

Polański, Hitchcock and MacGuffin

Appendix to the Creative Biography of Leon Wyczółkowski

On Music in the Times of the CO VID -19 Pandemic: A Sociological Interpretation of Changes in Musical Practices at the Performance and Reception Level

Modern Costume Books as an Interpretation and Symbolic Perception of the World in Sixteenth-Century Europe

Sublime as a Flywheel of Terror. The Influence of Edmund Burke’s and Immanuel Kant’s Esthetics on the Literature of Romanticism

“We Are Vital Materiality and We Are Surrounded by it, Though We Do Not Always See It That Way”. The Notion of Life in New Materialism

Work on Matter and Spirit, or What Happened in the Dark Forest

“I Guess That’s the Way the Whole Durned Human Comedy Keeps Perpetuatin’ It-Self, Down Through the Generations, Westward the Wagons, Across the Sands…”. Parabolic Cinema of Coen Brothers

Everything’s gonna be OK and the Christian Concept of Miracle

Polish Modernization in Biographical Films of the 2010s

The Second Coming in the Wicked House: Pablo Larraín’s El Club (2015)

Narrative: Event, Temporality, Sequence

Making a Name in a Male-dominated Industry: Women Jewelers in Poland Before 1939